Antelope Audio Goliath HD | Gen 3 - Störung | Sound Art & Professional Audio Störung | Sound Art & Professional Audio

Antelope Audio Goliath HD | Gen 3

64-Channel Thunderbolt 2™ / USB 3.0 / HDX
Audio Interface


Recommended price (21% VAT included)

Evolution of a powerhouse
With brand-new, state-of-the-art AD/DA converters, this 64-channel Thunderbolt/USB and optional HDX (unlocked separately) beast achieves a stunning 136dB dynamic range on its mastering-grade monitor outputs. Designed to handle even the most demanding studio & live productions, Goliath HD | Gen 3 offers the most comprehensive connectivity out of any interface on the market.

Simply unmatched
The all-purpose I/O includes 16 mic preamps, with accusonic modeling, 2 analog inserts, 4 instruments inputs and additional 16 analog inputs (over DB25) with 124dB dynamic range, 32 analog outputs (over DB25) with 129dB dynamic range, 2 transformer ReAmp outs, 2 headphone outputs (a total of 38 analog outputs). Digital & networking connectivity is established by industry-standard AES, MADI, ADAT, S/PDIF, Thunderbolt USB and HDX connections for a whopping sum of 346 digital I/O channels!

Accusonic Mic Modeling Ready
Edge Duo modeling mic included
Antelope Audio compliments the Goliath HD | Gen 3 users by adding the Edge Duo Modeling Mic to the package.
This high-quality dual-capsule large-diaphragm condenser microphone captures vocals and instruments with pristine clarity, depth and detail, making it the perfect starting point for emulating a plethora of timeless studio microphones. Edge Duo is able to call on an extensive and ever-expanding collection of classic mic emulations, with 11 legendary microphone models available. All have been meticulously measured from carefully selected original examples in one of the most respected facilities in Germany. The full list of Edge Duo emulations includes: Berlin 47 FT, Berlin 49T, Berlin 57, Berlin 87, Berlin 67, Berlin M103, Vienna 12, Vienna 414, Tokyo 800T, Oxford 4038, Sacramento 121F.

Conversion. It’s all down to dynamics
The big news for the Goliath HD | Gen 3 is that its converters provide 136 dB dynamic range (as measured at the Monitor Outs), approaching the theoretical limit of 24-bit audio.

Thunderbolt 2™ & USB 3.0 Flexibility
USB, Thunderbolt and optional HDX connectivity ensure the Goliath HD | Gen. 3 is compatible with any DAW on Windows and Mac computers. Easily integrate the interface into any DAW-based setup and work on projects spanning several DAWs. Nothing is off-limits, with independent 64 channels of I/O stream over Thunderbolt 2, USB 3.0 and 2 HDX Ports.

Connectivity. 2 Optional HDX Ports
Extend your Goliath HD | Gen 3’s capabilities with Pro Tools HDX/HD Native Integration with dual HDX ports, up to 64 audio channels, proprietary HDX Delay Compensation, manual latency adjustment & Loop Sync.

Expandable FX Library
36 real-time studio FX Included
Give your recordings, mixes and masters the polish and sheen they deserve with the vast collection of real-time Antelope Audio studio effects. A large number of classic studio equalizers & compressors, proprietary signal processors and other essentials are available at your disposal.

Supreme Workflow
Eliminate latency
For Windows users, Antelope Audio offers a very fast and stable custom Thunderbolt driver which achieves true sub-millisecond roundtrip latency. Goliath HD | Gen 3’s HDX Delay Compensation Method brings any analog or digital input into Pro Tools, fully sample accurate. You can enjoy latency-free direct monitoring over 4 independent internal mixers with 32 assignable inputs and stereo outputs.

Jitter Management
Acoustically focused clocking
The pioneer of atomic clocking in pro audio, Antelope Audio incorporates 20+ years of clocking expertise in its audio interfaces. With a crystal oscillator and the proprietary 64-bit AFC jitter management algorithm, the Goliath HD | Gen 3 delivers the kind of artifact-free audio once accessible only to the highest-tier studios.
– Eliminates signal jitter for pristine and artifact-free digital audio.
– Increases width, separation, and detail in musical performances.
+/-0.02 ppm, oven controlled at 64.5°C/ 148.1°F

Hand-crafted in Europe
Built to last
Goliath HD | Gen 3 gets a gorgeous front panel facelift while keeping the convenient monitor and level indicators intact. The full-color touchscreen is still its centerpiece, enabling immediate access to metering, preferences, gain adjustments and mission-critical functionality. Each unit is hand-crafted in Europe with the latest innovations and quality standards in mind.

136dB dynamic range D/A monitor out conversion pushes digital audio to its near-limits.
Latency-free direct monitoring over 4 independent monitoring mixers.
FPGA powered engine with 36 included real-time audio effects (+ optional expansions)
Pro Tools HD & HDX support over 2 Mini HDX Ports 32 channels I/O per port (unlocked separately)
16 channels Class A Mic preamps with accusonic mic modeling technology.
64 channels of synchronous I/O stream over Thunderbolt 2,or USB 3 up to 192kHz, 24-bit.
Oven Controlled Crystal Oscillator with 64-Bit AFC Technology.
32 channels of independent analog outputs over DB25.
128 channels of MADI I/O up to 48 kHz with (MADI to Dante support) as well as AES, ADAT, S/PDIF I/O digital connections
Multi-functional touch-screen display for signal monitoring and function control.
Powerful digital routing matrix with LAN control.
Hand-made in Europe.


Analog Inputs
16 × Mic/Line Universal inputs on XLR Combos (among which 4 × Hi-Z)
Gain 0.10-65dB. 124dB DNR, -112dB THD
2 × D-SUB (16 channels +20dBu max, 11.2 kOhms, 124dB DNR)
Analog Outputs
4 × D-SUB (32 channels, +24dBu, 56 Ohms, 129dB DNR, -115dB THD)
1 × Monitor Out pair TRS ¼ Jacks (136dB DNR)
2 × Stereo Headphone outs on TRS ¼ Jacks
2 × Reamp outs on TRS ¼ Jacks
D/A Monitor Converter
Dynamic Range: 136 dB
THD + N : -115 dB
Quad D/A Mono Structure
A/D Converter
Dynamic Range: 124 dB
THD + N: -112 dB
D/A Converter
Dynamic Range: 129 dB
THD + N: – 117dB
2 × A/D Inserts on TRS ¼ Jacks
(dedicated to rear universal inputs 1 and 2)

Digital Inputs
2 × Fiber Optic MADI (up to 64 channels each)
2 × ADAT (up to 8 channels each)
1 × S/PDIF on RCA (2 channels)
4 × AES/EBU on D-SUB 25 (8 channels)
Digital Outputs
2 × Fiber Optic MADI (up to 64 channels each)
2 × ADAT (up to 8 channels each)
1 × S/PDIF on RCA (2 channels)
4 × AES/EBU on D-SUB 25 (8 channels)
USB 3.0 Type B connector
(64 channels up to 192kHz)
1 × Thunderbolt (64 × 64 channels I/O)
2 × Mini HDX connectors
(32 channels I/O each)

Atomic clock
1 × 10M Input @ 75 Ohms 1Vpp on BNC
Word Clock Input
1 × Input @ 75 Ohms 3Vpp on BNC 32-192kHz (can be used for HDX Loop Sync)
Word Clock Outputs
2 × Outputs @ 75 Ohms 3Vpp on BNC 32-192kHz (can be used for HDX Loop Sync)
Clocking System
4th Generation Acoustically Focused Clocking
64-bit DDS
Oven controlled crystal oscillator
Sample Rates (kHz)
32, 44.1, 48, 88.2, 96, 176.4, 192

Operating Temperature
Weight (Approx)
6.8 kg/ 15 lbs
Dimensions (Approx)
Width: 48 3mm / 19”
Height: 81 mm / 3.2”
Depth: 279 mm / 11”
Power Consumption
40 Watts Max